Thursday, January 1, 2026

Meet the Baron (1933)

 






Studio: MGM. Runtime: 68 minutes. Production Number 710. Release Date: October 20, 1933. Director: Walter Lang. Story: Herman Mankiewicz and Norman Krasna. Screenplay: Allen Rivkin and P.J. Wolfson. Dialogue: Arthur Kober, William K. Wells. Producer: David O. Selznick. Assistant Director: Joseph Boyle. Cast: Jack Pearl (Julius, 'Baron Munchausen'), Jimmy Durante (Joseph McGoo), Zasu Pitts (upstairs maid), Henry Kolker (Baron Munchausen), Edna May Oliver (Dean Primrose), Ted Healy, Moe Howard, Larry Fine, Jerry Howard (Themselves), Ben Bard (Charley Montague), Robert Greig (fat explorer), Claude King (Sir Hubert), Greta Meyer (Aunt Sophie), Minerva Urecal (Downstairs maid), Rolfe Sedan (pants presser), Mary Gordon (washer woman), Leo White (Chef), Phil Tead (Tour bus guide), Cyril Ring (Mayor's 2nd 'Yes'-man), Don Brodie (Mayor's 3rd 'Yes'-man), Chester Gan (Chinese Man), Willie Fung (Chinese man), Lyda Roberti (Parade greeter), Richard Tucker (Radio station manager), Nora Cecil (Professor Winterbottom), Jobyna Howland (Dr. Martin), Lionel Belmore (Explorer with newspaper), Sheila Bromley (Equestrian), Frank O'Connor (stable boss), Fred 'Snowflake' Toones (stable groom), Vera Lewis (head housekeeper), William B. Davidson (radio network rep.), Bruce Bennett (train passenger), Margaret Nearing, Lynn Bari,Marion Byron, Gloria Stewart, Andrea Leeds (college girls), Miriam Marlin (Chorine), The MGM Girls (themselves). Cinematographer: Allen G. Siegler. Editor: James E. Newcom. Art Directors: Franklin H. Webster, Howard Fisher. Interior Decoration: Edwin B. Willis. Recording Director: Douglas Shearer. Orchestrator: Oscar Radin. Music Editor: W. Donn Hayes Songwriters: Dorothy Fields, Jimmy McHugh. Wardrobe: Dolly Tree. Working Title: THE BIG LIARWHAT A LIAR! Shooting Days: 8-14-1933 to 9-1-1933


Jack Pearl (born October 29, 1894, passed away  December 25, 1982) had started his entertaining career at a very young age as part of Vaudeville star Gus Edwards's School Days act. By the 1920's Jack Pearl had become a regular in Broadway musical revues. These included The Dancing Girl (Jan 24, 1923 - May 12, 1923), Topics of 1923 (Nov 20, 1923 - Mar 22, 1924), A Night in Paris (Jan 05, 1926 - Jul 10, 1926) (Jul 26, 1926 - Oct 30, 1926), Artists and Models (Nov 15, 1927 - Mar 24, 1928), Pleasure Bound (Nov 15, 1927 - Mar 24, 1928), The International Revue (Feb 25, 1930 - May 17, 1930), Ziegfeld Follies of 1931 (Jul 01, 1931 - Nov 21, 1931) and Pardon My English (Jan 20, 1933 - Feb 25, 1933). He made his radio debut in 1932 on The Ziegfeld Follies of the Air. On that show he played his most famous character, Baron Munchausen. As this character he would tell very farfetched silly stories with a comedic German accent. The character caught on like wildfire. With this in mind, it would not be long until he would bring this character to the screen, which he would do for the first time with this movie (he would later play the character again in Hollywood Party (1934), another feature film with Ted Healy and His Stooges). 

Jack Pearl's co-star in this film is Jimmy Durante (born February 10, 1893, passed away,  January 29, 1980). Durante had been a star of vaudeville in the 1920's. With his corny jokes, musical talents and hammy persona Durante was almost vaudeville incarnate. As with many of his fellow stage performers, with the birth of talkies, Hollywood came knocking and movie fans fell under the charms of this lovable ham. Around the time this movie was released Durante was working for MGM working as half of a comedy team with Buster Keaton (who is best remembered for his silent film work). This made for an odd pairing as the two comedians could not have been more different in comedy stylings. Keaton had a more deadpan sense of humor while Jimmy Durante was as over the top and hammy as can be. However, despite this odd pairing I love the movie, Speak Easily (1932). Durante would once again be paired with Jack Pearl in Pearl's second and last time playing the Baron in a theatrical feature film, Hollywood Party. Many people today probably remember Jimmy best for him being caricatured in plenty of cartoons (the Hanna-Barbera character Doggy Daddy is one such example) as well as his final screen role as the narrator of the classic TV special, Frosty the Snowman (1969). The same year Meet the Baron was released Durante appeared on the same stage as Ted Healy and his Stooges. This was on October 7, 1933, at the Loew's State Theatre in Los Angeles, California for a benefit for those affected by the tragic Griffith Park fire of that year. Also appearing at that benefit were Max Bear, Lionel Barrymore, Helen Hayes and Johnny Weissmuller. 

In this film the Baron Munchausen (Henry Kolker) is trekking through Africa with two traveling companions (Jimmy Durante, Jack Pearl). When the going gets tough, he abandons his traveling companions to save his own skin. A rescue party comes and saves the two companions mistaking on of them for the Baron. They are now made to speak at an all-girls college, Cuddle College, and try to avoid being found out as fakes. Ted Healy and his Stooges are the college's janitors. 

The main problem with this film is Jack Pearl's main character. Pearl lacked any sort of screen presence, and it is easy to see why he never became a movie star. Honestly, he comes off as quite dull here. It doesn't help that his character gets many very weak jokes. There are some comedians who can make even the corniest of jokes work (such as Groucho Marx) but frankly Jack Pearl is not one of them. 

Despite this though I actually enjoy most everything else about this movie. Ted Healy and the Stooges are wonderful here. The whole scene about them fixing the plumbing in the girl's shower room is truly hilarious. The supporting cast as a whole is excellent though. Of course, Jimmy Durante is delightful as always here and saves many of the scenes with Jack Pearl. Edna May Oliver and Zasu Pits (one of my favorite character actresses of this era) light up the screen whenever they are on. Some of the surreal gags are even quite funny, especially the Statue of Liberty gag and the wonderful ending gag

The musical numbers are also quite good here. I really enjoy Hail to the Baron Munchausen, which I find catchy and a lot of fun. However, the highlight of musical numbers is Clean as a Whistle. This is a very risqué and naughty musical number (this was the pre-code era after all). Besides just being shocking to see in an old movie, the musical number is also very catchy, and the visual filmmaking is very well done and memorable. It is surprising that this great number does not get more attention from pre-code fans.  

All in all, this movie is a lot of fun in spite of its main character and star.






This film's director was Walter Lang (born August 10, 1896, passed away February 7, 1972). Though his name is not well known by film buffs today, he had a very prolific career that includes many loved movies. His career started in the mid-1920's and lasted through the early 1960's. Some of his films include The Red Kimono (1925), The Spirit of Youth (1929), The Little Princess (1939), The Blue Bird (1940), Moon Over Miami (1941), State Fair (1945), Cheaper by the Dozen (1950), The King and I (1956) and Desk Set (1957). Lang would direct the Stooges once more, decades later in the feature film Snow White and the Three Stooges (1961). He was married to Madalynne Field from 1937 until his death.  Madalynne Field had appeared in some silent comedies for producer Mack Sennett (who produced the earliest films of Charlie Chaplin, Mabel Normand, Harry Langdon and Roscoe "Fatty" Arbuckle). There she worked with actress Carole Lombard (including in the short, Run Girl Run (1928)), who would go on to great fame. The two became very close friends and Lang met Field when he directed Lombard in Love Before Breakfast (1936).



The film was co-written by none other than Herman J. Mankiewicz (Born November 7, 1897, March 5, 1953), who shared a writing credit with Orson Wells on what many consider the greatest movie ever made, Citizen Kane (1941). He was also a writer on what is considered the most watched movie of all time, The Wizard of Oz (1939). Comedy fans might also know that Herman J. Mankiewicz produced The Marx Brothers' films for Paramount (which many Marx purists consider the team's best works). Herman was the brother of the brilliant director Joseph L. Mankiewicz and the grandfather of TCM host Ben Mankiewicz. With the Citizen Kane connection it is worth noting that there is a mule named Rosebud in this film. 

There is a dialogue exchange here that all Stooge-philes will be familiar with. It goes like this: "Get the tools!" "What tools?" " The tools we've been using for the last ten years!" The team would later do this skit again in multiple short films including Pardon My Scotch (1935), 3 Dumb Clucks (1937), How High is Up? (1940) and Dizzy Detectives (1943). 

In this movie, the Stooges are janitors. This is a role they would play again quite a few times. They played janitors in such films as Three Missing Links (1938), All the World's a Stooge (1941), A Gem of a Jam (1943), Dopey Dicks (1950), Three Dark Horses (1952) and the feature length Have Rocket Will Travel (1959) to name just a few.  They would even play janitors in a live action wrap around segment for their 1965 TV cartoon show, The New Three Stooges



Motion Picture Daily, 1933




Motion Picture Daily, 1933


The following are some 1933 exhibitor's reviews from the Motion Picture Herald. 

"Meet the Baron: Jack Pearl, Zazu Pitts, Jimmy Durante - Here is another poor picture from Metro on the 1933 contract. Why should producers put such pictures as this off on the exhibitors and the paying public. If you didn't have this, you were very lucky. Played on bargain day to poor business. Running time, 65 minutes. Played Mar. 9. - J.J. Medford. Orpheum Theatre, Oxford, N.C.  General Patronage." 

"Meet the Baron: Jack Pearl, Jimmy Durante - Just a fair picture, but we had nice business with it because of the Baron's radio friends. Played Feb 3-4 - N.E. Frank, Wayland Theatre, Wayland, Mich. Small Town Patronage." 

"Meet the Baron: Jack Pearl, Jimmy Durante - Undoubtedly this is the very poorest picture that we ever put off on our patrons. We are still afraid to come out to the front door. This may be great radio entertainment but it's a flop on the screen. Pull this one regardless. - W. J. Bryan, Paramount Theatre, Geneva, Ala. Small Town Patronage."  




-Michael J. Ruhland




Resources Used

The Three Stooges Scrapbook by Jeff Lenburg, Joan Howard Maurer and Greg Lenburg

A Tour De Farce: The Complete History of the Three Stooges on the Road by Gary Lassin

https://travsd.wordpress.com/2013/10/29/stars-of-vaudeville-69-jack-pearl-a-k-a-baron-munchausen/

https://www.ibdb.com/broadway-cast-staff/jack-pearl-55801

https://threestooges.net/filmography/view/207

https://forgottenactors.blogspot.com/2022/07/madalynne-field.html

https://mediahistoryproject.org/

Sunday, December 21, 2025

Scooby-Doo! Meets the Boo Brothers (1987)

 

Note: This post was originally posted on my Movies With Michael blog. Since this made-for-TV movie prominently features caricatures of The Three Stooges, I am posting it here as well. 

 

Out of the three Scooby-Doo! movies (the others being Scooby-Doo! and the Reluctant Werewolf and Scooby-Doo! and the Ghoul School) made for the Hanna-Barbera Super Stars 10 (a series of 10 made for TV Hanna-Barbera movies) this is the closest any of them come to the traditional Scooby-Doo! formula. Though the gang only consists of Scooby, Shaggy and Scrappy, they three do work together to solve a mystery involving a so-called haunting. Besides the absence of the rest of the Mystery Inc. gang, the other major difference between this and your typical Scooby-Doo! movie is that the gang is helped out by real ghosts. These real ghosts though are much less threatening than the fake ghosts who normally popularize the franchise. One reason is that they are "helping" (and I use that word very loosely) Scooby and friends and the other is that they are really only in the film for comedic purposes. The ghosts are a pretty obvious takeoff on The Three Stooges and while not as funny as the actual Stooges, they fulfil their comedy relief services quite well and got a few real laughs out of me. 

Scrappy-Doo is probably the most hated character in the Scooby-Doo! franchise but I have to admit in this film I like him a lot. The filmmakers toned down the characters more obnoxious aspects (don't except to hear "puppy power" mentioned anywhere here."), and the character instead comes off as smart, self-assured and determined. This movie does of course keep the ongoing joke (that is in every incarnation of Scrappy) where he simply is oblivious to the fact that Scooby and Shaggy are not exactly brave. I personally love this joke and that has helped keep me from disliking Scrappy in any of his incarnations. 

This film (like all the best Scooby-Doo! stories) has an incredible sense of atmosphere. The large empty mansion and a creepy southern swamp are just the places we like to see in a Scooby-Doo! mystery and they are handled to perfection here. The confederate ghost is creepy enough to gain suspense while still not too creepy to take away from the movie's lighthearted feel. 

On the downside the mystery is too easy to solve and some jokes are poorly timed, dragging on past the point when they stop being funny. However these faults are not enough to overcome just how fun this film is. 

This is an excellent watch for all Scooby-Doo fans. 

-Michael J. Ruhland  

Another Thin Man (1939)

Note: This post was originally posted on my Movies With Michael blog on 1/19/2020. Since this film features Shemp in a supporting role, I am posing it to this blog as well. 

The third entry in The Thin Man series is an excellent comedy-mystery. While it may not live up to the first movie (not that that is an insult in the slightest), it is very entertaining in its own right. I was lucky enough to see this movie at The Old Town Music Hall last night and seeing this with an audience proved to me how delightful this film truly is, as everybody was enjoying it just as much as I was.

This film's production was plagued by health problems for star William Powell. Filming was meant to start in early 1938, but before any filming could be done, Powell was too obviously having health problems. These health problems were later revealed to be cancer. This was a tough time for Powell in general. As if having cancer weren't bad enough, he had also recently lost his wife, actress Jean Harlow a year earlier and hadn't quite emotionally recovered yet. Powell would have operations in March 1938 and January 1939, and with the success of these he would be able to return to work in fall of 1939. Meanwhile he had to turn down some great movie roles including that of Maxim De Winter in Alfred Hitchcock's Rebecca (1940). When Powell arrived for the first day of filming, he received a standing ovation from the cast and crew, which embarrassed him quite a bit. Director Woody Van Dyke (who had also directed the previous two Thin Man movies) broke up this scene by stating "what are we wasting time for? Let's get to work." Van Dyke was known for making movies extremely quickly, but he did make allowances for Powell's health with this film. Filming would only last six hours a day and crews would be doubled to compensate. Still in typical W.S. Van Dyke fashion the film was finished rather quickly and was released in November of 1939.

Another Thin Man marked the last Thin Man movie to be written by husband-and-wife team Frances Goodrich and Albert Hackett (this is a rare Thin Man sequel to be based off an actual story by Dashiell Hammett (who wrote the original novel) (this was a short story entitled The Farewell Murder). Myrna Loy would later give the reason for this in her autobiography Being and Becoming stating "Do you know I never saw them at Metro? It's terrible, really, but unless they sent for the writers to get us out of a hole, we seldom saw them on the set.... I didn't meet the Hacketts until I moved to New York in the fifties. We became friends, I'm happy to say, and Albert facetiously explained one day why they didn't write the last three Thin Man pictures: 'Finally I just threw up on my typewriter. I couldn't do it again; I couldn't write another one.' Perhaps we all should have concurred; those last three never really touched the previous ones." Truth be told when you compare these first three movies to the last three, there is no doubt the ones written by Frances Goodrich and Albert Hackett are well above the later entries. While I enjoy the later films, they lack the clever and laugh out loud funny banter between Nick and Nora that these first three have. While maybe not as memorable or quotable as the first movie, the dialogue in Another Thin Man is still full of the charm and wit that one could want from a Thin Man movie. This film is just as funny today as it was in 1939. Adding to the delightful of this banter is that William Powell and Myrna Loy have lost none of their amazing chemistry. They still play off each other perfectly and a scene in a club is a sheer delight to behold.

As did many of these sequels this movie features more slapstick involving the dog Asta (who gets the largest billing in the opening credits) than the first entry. This is hardly a problem when the slapstick is as funny as it is here. There are plenty of times when Asta steals the show, which considering the cast of this movie is no easy feat. This movie also introduced a new character, Nick and Nora's son Nick Jr. (William A. Paulson). Nick Jr. has somewhat of a baring on this movie's story but rarely provides any comedy himself, letting his adult and canine costars run the whole show. This is probably for the best. One watches The Thin Man movies for the banter between Nick and Nora Charles, not for antics from a baby, and such antics could have hurt a thing that was already working.

When released this film became one of the highest grossing movies of its year and it should come as no surprise that more sequels would be in the future.

While none of these sequels quite reach the level of the first movie, Another Thin Man stands as my second favorite in the series and never fails to delight me.

Also Stooges fans should look for Shemp in a brief uncredited role.

A hit movie never failed to send MGM to be tooting their own horn as can be seen by the advertisement from The Film Daily below or the advertisement from The Motion Picture Herald below that.


  



I love the way movie theatres advertised films back in the day and some excellent examples of that (including one for After The Thin Man) can be seen in the below two pages from The Motion Picture Herald. If you having trouble reading just click on the picture and use your touch screen to zoom in.





-Michael J. Ruhland

Resources Used

http://www.tcm.com/tcmdb/title/1747/Another-Thin-Man/articles.html

https://www.imdb.com/title/tt0031047/?ref_=hm_rvi_tt

Video Link: Three Stooges Spike TV Bumpers (Part 2)

Meet the Baron (1933)

  Studio: MGM. Runtime: 68 minutes. Production Number 710. Release Date: October 20, 1933. Director: Walter Lang. Story: Herman Mankiewicz a...